Wow! This spectacular mandolin is now at home in Georgia. Check out that inlay – abalone/mother-of-pearl cardinal & dogwood flowers on the peghead, fingerboard, and finger-rest. It’s got a Sitka spruce top, curly English sycamore sides & back, ivoroid binding, Rubner tuners, ebony fingerboard/overlay/bridge/finger-rest, as well as a nitrocellulose lacquer over a hand-rubbed sunburst finish.

Back in 1971, David saved some chunks of this curly maple from a friend’s burn pile in Olympia, Washington & had been waiting for the right instrument to cut it up. Turns out it’s perfectly sized for a baritone ukulele! This one was for a friend who lost her Dart baritone uke in a structure fire towards the end of 2019.

In addition to the curly western maple top/back/sides, this instrument has a western maple neck, rosewood fingerboard/binding/bridge/peghead overlay, Waverly tuners, hand-cut abalone four-leaf clover peghead & fingerboard inlay, mother-of-pearl side dots, bone nut & saddle, and a K&K pickup.

A customer in Florida who owns one of David’s koa concert ukuleles recently ordered a fun custom instrument: a six-string tenor ukulele, with double-strung first & third courses (high to low: AA E Cc G, where the double A is tuned in unison and the double C is tuned to an octave).

We built two of these beauties. Both have solid koa top/back/sides & a black acacia neck, Waverly tuners, bone nut & saddle, abalone fingerboard markers, mother-of-pearl side dots, polyurethane matte finish, and fluorocarbon strings. The custom ordered one has an ebony fingerboard/bridge & an abalone daisy peghead inlay, and the second one has rosewood & an old-timey abalone vine peghead inlay.

These instruments have big presence & projection, with a prominent chorus effect from the doubled strings – perfect for a ukulele player looking for a fuller ukulele sound to keep up with a band, or to add another element to their solo playing.

Here’s a rare one – an Epiphone Electar guitar, circa 1935-1939. There’s not too much information about these out there, but Fretted Americana Inc. had some detailed information about this model, which was Epiphone’s first electric guitar and notable for its Miessner pickup. There’s easy access to the pickup through a cavity on the back, which was covered by a screwed-on padded plate. Lots of information on the peghead: the plate on the back of the displays several patent numbers, and the four-digit serial number is stamped atop.

This guitar badly needed a neck reset & good setup, but otherwise it’s in great condition & it played well once the strings were back on.

According to Fretted Americana, this guitar is what attracted none other than Les Paul to the Epiphone company & later Gibson. If you’re interested in modern/electric guitar history, the article is linked above, and here’s the url as well, just in case:

<https://www.frettedamericana.com/product/1937-epiphone-electar>

Over the past couple of months, David’s been busy with a custom F-5 mandolin. This one has the works: a Sitka spruce top, stunning curly English sycamore back & sides, ebony fingerboard/peghead overlay and underlay/bridge/finger-rest, and – last but not least – inlaid cardinals and dogwood flowers. It’s almost ready for its sunburst finish, so check back soon for more photos.

There’s another pair of A-5 mandolins in progress, too – get in touch if you’re interested in one.

To see other examples of David’s mandolins, click here.

A customer liked our recent run of tenor ukuleles, especially the X-braced acacia one, but he was interested in a few upgrades: a tie block, Waverly tuners, ebony binding, and an iris inlay on the peghead. These northern California black acacia instruments sound fantastic, and it looks a lot like koa; in fact, koa is in the acacia family.

There are three tenor ukuleles at the showroom, looking for a good home for the holidays. Get in touch with David if you’re interested in one!

This is a sweet guitar, with big sound for a small-bodied instrument. The other three from the batch didn’t stay around long, but you can try this one out at the showroom. More info & specs here.

There was a real gem on the bench recently – a 1954 Fender Telecaster. Owned by the same guy since the ’60s, this Tele needed some serious fretwork & a little cleanup on the input jack contacts; otherwise, it’s in fine well-played condition, with a stage-ready three-level boost built into the pickup selector plate.

This one has a good home already – just sharing a cool classic.

The first two parlor (AKA single-oh) guitars are strung up & ready to play! The Sitka spruce/Honduras mahogany one has a warm, round sound with a huge amount of presence for a small-bodied instrument. The Anderson Valley (California) redwood/Honduras rosewood one has big bass, punchy treble, and a massive voice. These beauties haven’t been strung up for long and already are developing complex, mature voices.

The spruce/mahogany guitar is for sale! $3,500 – includes case but not CA sales tax or shipping. Drop by the shop/showroom to try these beauties out, or contact David.

Notes:

• The 24.75″ string scale is lively and responsive, and the notes fly off the fingerboard all the way up to the 20th fret
• Nut width 1-3/4″
• Nitro-cellulose lacquer gloss finish on the body/peghead, polyurethane matte finish (smooth & fast!) on the neck
• The body measures a sleek 13″ across at the lower bout yet a full 4″ body depth at the butt: these instruments pack a lot of volume!
• Waverly tuners
• Sitka spruce top, Honduras mahogany back & sides, rosewood binding/bridge/peghead overlay, ebony fingerboard, hand-cut abalone Dart logo, hand-cut bone nut & saddle
• Anderson Valley (home of Dart Instruments!) old growth redwood top (from an old deep end sheep barn!), Honduras rosewood back & sides, boxwood binding, ebony fingerboard/bridge/overlay, hand-cut Dart logo, vine, & diamond fingerboard inlay